Music tends to create a tremendous emotional response in many people. The social engineers understand this and have taken great measures to control it. There are elements that date earlier, but the change in the tuning frequency of music from that of a positive to a negative bioenergy is almost as old as the Rockefeller Foundation that funded and promoted it until it’s international change in 1939, just prior to WWII. The elitist control of the music industry can be seen in the many esoteric symbols used in the industry to introduce occult ideas and indoctrinate listeners into their demonic religion of materialism and idol worship.
It has never been more apparent to those who have awakened from the slumber imposed upon them by popular culture that the establishment music industry now pumps out the most dumbed-down, monotonous, garbage which actually serves to induce depression and despair in those who are enlightened and aware, while providing hypnotizing bread and circuses for those still transfixed by the Babylon system.
Music directly represents the passions of the soul. If one listens to the wrong kind of music, he will become the wrong kind of person~Aristotle
(Below) An incredible insight into the militarization of music and the resultant mind control it produces, refined by the Nazis – and how you can fight back:
This article details events in musical history that are central to understanding and treating modern psychopathology, social aggression, political corruption, genetic dysfunction, and cross-cultural degeneration of traditional values risking life on earth. This history concerns A=440Hz “standard tuning,” and the Rockefeller Foundation‘s military commercialization of music.
It is important to understand the ways in which music facilitates an altered state of consciousness. One important element of the process is called entrainment. In 1665, the Dutch scientist Huygens noticed that if two clocks were placed next to each other, they would soon begin ticking synchronously and so was discovered the Law of Entrainment. Rhythms in close proximity will entrain. Because of entrainment, music is often used beneficially to control heart rate and other rhythms in the body. Since this is true, it is also possible to use the rhythm of sound to control the rhythm of brainwaves. Neuro-chemical cortical brain activity may be measured. A set of descriptors has been developed and identified as Beta, Alpha, Theta and Delta.
Beta is predominantly present when the individual is attending to a task, particularly such a task as mathematics. This is also the state of the brain during critical thinking. When Alpha is predominant, the individual is in a relaxed state. There are some claims that hypnotism takes place in higher levels of Alpha. One description is alert relaxation. The Theta condition is extremely relaxed. Meditation conditions could take place here. Lower levels might include approaching sleep. Delta is the sleep condition. It is an extremely low level of brain activity.
Neurons are constantly firing at various rates all over the brain, but one of these levels may be predominant at any given time under given circumstances. Brain waves are vibrations measured in Hertz (Hz), or cycles per second.
Music is also vibration, which is measured in cycles per second or Hertz, which determines frequency or pitch.
Another element, which the devil employs in his arsenal, is that of difference tones. This is a phenomena commonly explained in psychology of music texts whereby a phantom tone is heard. Under certain conditions, when two tones are sounded simultaneously, a tone equal to the difference in Hz (cycles per seconds) between the two tones may be heard even though it is not being played. If tones of 100 Hz and 106 Hz were sounded, a phantom tone of 6 Hz might be heard. Or if a C and a G above it were played simultaneously, the C an octave lower might be heard.
To combine these three (entrainment, difference tones and brainwaves), consider the following: notes producing difference tones of very low or small frequency could be played and embedded just below the audible sound of the music. When the listener hears the music the embedded difference tones (although inaudible to him) will entrain with the listener’s brainwaves, thus controlling them or causing them to match the difference tones. Without realizing what is happening to him, the listener’s brain waves may be led to an Alpha, Theta, or Delta state according to the whim of the controller. Some believe that the devil has been using techniques such as these since the beginning of the world and is still using them. It has been suggested that control by the use of musical effects was used by the Sumerians: “The Sumerians ruled that land [Babylon] from about 3500 BC to 2000 BC when hegemony [leadership] then passed to the Semitic Babylonians who took over their culture….
That culture included cuneiform writing, a sexagesimal system of mathematics (based on 60 instead of 10), a pantheon of deities, a considerable literature, and a fund of musical instruments important enough to be classed among the divine principles. . . . And it is the Babylonian development of the greatest system of musical ritual in any ancient religion which makes it imperative that we not neglect possible associations between her mathematics, her
music, and her religion.” Ernest McClain, The Myth of lnvariance, the Origin if the Gods, Mathematics and Music From the Rg Veda to Plata, Nicholas-Hays, Inc., York Beach, MA, 1984, 130, 131.
In ancient Babylon, there is the example of instruments used to signal the people to worship the golden image. “That at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, dulcimer, and all kinds of music, ye fall down and worship the golden image that Nebuchadnezzar the king hath set up.” Daniel 3:5. It seems reasonable to think that the instruments served more of a purpose than just a signal. Mrs. White says, “The appointed day came, and at the sound of entrancing music the vast company ‘fell down and worshiped the golden image.'” Christ Triumphant, 177- Speaking further of this, she says, “Force is the last resort of every false religion. At first it tries attraction, as the king of Babylon tried the power of music and outward show.” “Ellen G. White Comments,” Seventh-day Adventist Bible Commentary, vol. 7,976.
“The ancients knew how to use music to elicit a mystical experience… Everything remains on the level of the emotions and the nervous system. Even today, thanks to the media, we can witness the effect of music on the masses. Singers and musicians exercise tremendous power over crowds of adoring fans. We no longer need lyrics or a coherent message to convince others. The phenomenon has even invaded religious communities. In reaction to the cerebral frigidity of traditional services, certain denominations have fallen into the other extreme.
They spoon-feed and wash down the message by the continuous purring of background music. Believers, transported by the spirit, shout and cry out in delirious enthusiasm. Such an approach considers reflection unnecessary and outdated. It only smiles at absolute judgments. This episode in the book of Daniel warns us against a strictly emotional religion. Emotions can be a part of the religious experience only when united with reflection and thought. Adoration must involve the whole being, and to neglect one aspect could lead to bowing before an idol. Likewise, in the plain of Dura, the preachers of Babel do not waste time in dry demonstrations or arguments. Music suffices to trigger adoration, and its adherents live strictly in the present. Several times the passage explicitly stresses the dimension of the present.” Jaccques B. Doukhan, Secrets of Daniel, Review and Herald Publishing, Hagerstown,
MD, 2000, 48, 49.
A large part of goddess worship was the use of the hand drum to call the spirits. Tibetan bells, or Tin-Ssha’s, have been used in Buddhist meditation practice for many centuries. The two bells, which are rung together, are slightly out of tune with each other. The difference tones between them lie somewhere between four and eight cycles per second. This is exactly in the range of the brain waves created during meditation and helps shift the brain to these frequencies. Tibetan bells are experiencing popularity in western culture at the present time.
(See Don Campbell, Music Physician for Times to Come, Quest Books, Wheaton, IL, 1991, 228, 229.)
All this leads to the present. Twentieth-century people discovered an ancient usage of difference tones and entrainment and successfully used them to produce an altered state of consciousness.
A man named Monroe first discovered the use of specific frequencies to entrain the brain. He discovered that certain frequencies, which were in the same spectrum as brain waves, could produce entrainment of brain waves. These are too low for the human ear to hear, but by using higher sounds he could produce difference tones. “If the frequencies of two sound sources are applied separately, one to each ear, an Abinaural beat frequency is created. As explained above this is not an actual sound, but only a frequency difference between two actual sounds. The sound is heard within the brain itself, the binaural beat frequency is created by both brain hemispheres working simultaneously. The entrainment or frequency following response did not take place only in the area of the brain responsible for hearing, or only in the left or right hemispheres: the entire brain resonated, the wave forms of both hemispheres becoming identical in frequency, . . .” thus achieving an altered state of consciousness. Campbell, op. cit.
There is a phenomenon in meditation techniques. The music on meditation tapes use two technologies: sound phasing and subliminal programming. The subliminals use such messages as: I am one. I am love. I am peace. I am the source of my experience. I am existence. . . consciousness. . . ecstasy. . . peace. These are mantras that have come down through the centuries, which make up a very holistic program of non-dual, I-Consciousness.
Sound phasing is defined as “a vibrate sound, a tone that contains two tones, the top and bottom of the vibration. Phasing is the interval between the tones. The sound we call the interval is heard only in the brain. Your brain creates that sound from the two tones.” Patrick Harbula, Sounds of Transformation: A talk with Brother Charles, Meditation, 2 (4), 1987, 20-29. This, of course, is difference tones.
Tone wave generators have been built which can insert any difference tones in desired musical carriers. They are called binaural tone generators. They are available for anybody to purchase and are very easy to use. This means that this technique which can open the mind to demon possession is readily available to any that choose to use it. It is to be found in videotapes, cassette tapes, etc., which are being used.
The only protection available to counteract these wiles of Satan is found in Isaiah 26:20, which speaks about the present days: “Come, my people, enter thou into thy chambers, and shut thy doors about thee: hide thyself as it were for a little moment, until the indignation be overpast.”
“The darkest hour of the church’s struggle with the powers of evil is that which immediately precedes the day of her final deliverance. But none who trust in God need fear. . . .” Prophets and Kings, 725
Monopolization of the Music Industry through frequency
The monopolization of the music industry features this imposed frequency that is “herding” populations into,
- greater aggression
- psychosocial agitation
- emotional distress,
…predisposing people to,
- physical illnesses
- financial impositions profiting the agents, agencies, and companies engaged in the monopoly
Alternatively, the most natural, instinctively attractive, A=444Hz (C5=528Hz) frequency that is most vividly displayed botanically has been suppressed. That is, the “good vibrations” that the plant kingdom obviously broadcasts in its greenish-yellow display, remedial to emotional distress, social aggression, and more, has been musically censored.
Thus, a musical revolution is needed to advance world health and peace, and has already begun with musicians retuning their instruments to perform optimally, impact audiences beneficially, and restore integrity to the performing arts and sciences. Music makers are thus urged to communicate and debate these facts, condemn the militarization of music that has been secretly administered, and retune instruments and voices to frequencies most sustaining and healing.
Contrary to popular opinion, the most powerful “hard” science influencing society, politics, and economics is behavioral science. This generally neglected fact enables advertising agencies, social engineers, marketing firms, and the persuasive media, to direct people, like cattle, most profitably. A flock of sheep, for example, according to the Merck Veterinary Manual, responds synchronously to stimuli, such as approaching dogs or humans, due to a special set of nerve cells that fire electrically causing the release of stress hormones associated with the flight response and herd behavior.(1)
Malcolm Gladwell’s, The Tipping Point: How Little Things Can Make a Big Difference, cites social examples of the small levels or percentages of a total population required to act, “at which the momentum for change becomes unstoppable” for the entire social network.(2)
There have been many unexplained “mass hysteria” episodes recorded besides the War of the Worlds fright that was broadcast by CBS Radio and narrated by Orson Welles, on October 30, 1938.(3)
Robert E. Bartholomew called a related public health crisis, “Occupational Mass Psychogenic Illness” in Transcultural Psychiatry.(4) Wessely added the warning that this bizarre herd behavior impacting health and well-being reflects poorly on our mass mindset inspired by the terroristic media.
“[I]t is easy to lose sight of the dynamic, protean [varied] nature of mass sociogenic illness and its historical and transcultural manifestations, which mirror popular social and cultural preoccupations that define each era and reflect unique social beliefs about the nature of the world.”(5)
Assuming the field of physics, including biophysics, is valid, and the universe, including life, is primordially constructed energetically – mathematically / harmonically / musically – energy (including bioenergy or spirituality as a medium of consciousness) impacts us physically very powerfully, and is mediated vibrationally, really hydrosonically, through sounds’ effects on water.(6)
Water, nearly eighty percent of human body weight, is a liquid crystal superconductor.
“Structured water” science,(7) as well as the field of electro-genetics,(6) proves this thesis adequately, given light (photons) and sound (phonons) have been shown to signal communications within and between cells, via a liquid crystal proteo-glycan matrix in cells and tissues.(6)
This strongly evidences the theory of hydrosonic creationism involving DNA and structured water.(7) Thus, bio-creation and health restoration may have more to do with frequencies of sound energy, or music, than has been thought.
There are a lot of people who consider modern music annoying. Many become emotionally disturbed listening to certain types of music. What few people realize, regardless of the type of music played in the Western World, the standard Anglo-American tuning for instruments and voices was instituted at the same time, by the same agents and agencies, advancing acoustic war studies for inducing “mass hysteria.”(8)
Analyzing the antecedents of current geopolitics and economics, this dirty fact of musical history may be foundational to the status-quo, and instrumental to contemporary sociocultural crises, including modern pandemic psychopathology.
Throughout history there have been persons of wealth and power engaged in war-making, profiteering, and various methods of population control. In 1770, for instance, Mayer Amschel Bauer (a.k.a., Rothschild) developed plans for the creation of the Illuminati, advancing the mission of global domination through a network of central banks that his family and their silent partners controlled.(9, 10)
Many reputable authors track today’s degenerative socioeconomic trends, and aboriginal genocides, to the Illuminati’s powerful influence administered through private organizations controlling multi-national corporations and governments (i.e., secret societies and governing councils, such as the Council on Foreign Relations).
“As a result of this influence,” wrote Thomas D. Schauf, in a controversial review article and commentary urging the termination of the un-American Federal Reserve Bank, and the offshore bankers’ control over the U.S. Treasury, “the arc of Western Civilization has gone from ‘ascent’ – belief in God – focused on the higher centers of love, joy, purity and selflessness, to descent… focused on the lower centers of consciousness like those of power, wealth and physical gratification. The apex was called the ‘Enlightenment,’ when the ‘Illuminated ones’ – a Luciferian term meaning ‘keepers of the light’ – took over for God. Typical of Satan, decline into moral darkness is represented as light.”(11)
Light and sound is generated and measured mathematically, according to frequencies. It stands to reason then, following Schauf’s empirically evidenced thesis, we are engaged in a “conspiracy reality” in which ultimate power and control is waged bioenergetically (i.e., biospiritually), through frequency modulations or electromagnetic manipulations affecting “consciousness” and impacting biology, physiology, and human behavior.
The Rockefeller Foundation and Military Music
In 1913, the Rothschilds set up their third and current central bank in America, the Federal Reserve Bank, with the help of their agents J.P. Morgan and J.D. Rockefeller, whose investments in American industry had been Rothschild-financed since 1865. (9, 11)
For instance, in 1914, at the beginning of World War I,
- the German Rothschild bank loaned money to the German government
- the British Rothschild bank loaned money to Britain
- the French Rothschild bank loaned money to the French government
War propaganda served the Rothschild’s geopolitical and financial agendas, and was provided by the three main European news agencies,
- Wolff in Germany
- Reuters in England
- Havas in France,
…each financed by Rothschild banks. (9, 11)
Between World Wars I and II, accelerating during the 1930s, scientific studies in musical frequencies best suited for war-making were funded by the Rothschild-Rockefeller alliance, represented by the Rockefeller Foundation and U.S. Navy.(8-11) A major objective of this war, and profitable population control, research was to determine the musical factors capable of producing psychopathology, emotional distress, and “mass hysteria.”(8)
Academically directed by grants provided by the Rockefeller Foundation, in concert with the U.S. Navy and National Defense Research Council according to the foundation’s archives, acoustic energy researchers, including Harold Burris-Meyer, an audio engineer and drama instructor at New Jersey’s Stevens Institute of Technology, were commissioned.(8)
Burris-Meyer is best known for providing consulting services to the Muzak Corporation,
“which used his expertise to optimize sound installations in factories so that emotional motivation of workers achieved through music would not be adversely effected by factory noise…,”
…wrote James Tobias, a Professor of English at the Univ. of Calif.(8)
Tobias reviewed Rockefeller Foundation (RF) archives, and documented investigations leading to psychological warfare applications of acoustic vibrations, ultimately advanced militarily and commercially.(8) Burris-Meyer, according to Tobias, contributed to the Department of Defense during World War II,
“including building speaker arrays deployed on warplanes such that enemy combatants could be addressed from the air” to produce psycho-emotional affects leading to “mass hysteria.”(8)
Additionally, the Princeton Radio Project played a role in this research. This occurred precisely at the time the atomic bomb Manhattan Project was beginning at Princeton involving Albert Einstein at the Institute for Advanced Study (IAS).(12)
Poisonous Medicine and the Rockefeller Foundation’s Investments in Sickening “Music”
Linking this “conspiracy reality” to the development of music for “mass hysteria,” and aversive public health impacts, the IAS “think tank” was formed from the “vision of founding Director Abraham Flexner,” according to the IAS website.(13) The infamous Abraham Flexner, educated in Germany and America, on staff at the Carnegie Foundation, and funded by the Rockefeller Foundation, sourced the American medical reformation following U.S. Congressional acceptance of his “Flexner Report.” (14)
This infamous treatise exclusively benefited the Anglo-American IG Farben-Rockefeller petrochemical-pharmaceutical alliance that vilified every form of natural healing to monopolize healthcare. Based on Flexner’s report, advancing the Rockefeller’s agenda, the U.S. Government exclusively imposed medicine’s reliance on deadly, not curative, drugs as is ongoing today.
The Rockefeller Foundation’s Assistant Director for the Humanities at the time Flexner compiled his report was John Marshall, who along with the authors of Composing for the Films (Oxford University Press, 1947) Hanns Eisler and Theodor Adorno, were featured performers in the musical projects serving military and commercial interests, juxtaposed with artistic and philanthropic objectives.(8)
As this research and development of the broadcasting industry advanced to impact “herd behavior” and public health, it is clear that any malady generated musically/vibrationally (i.e., bioenergetically), would increase investors’ profitability. Although Eisler or Adorno appear to be innocent of wrongdoing, according to Tobias, both were unfavorably treated by project officials. Eisler opposed the militarization of music used for cultural manipulation, and was eventually deported following years of harassment by the Federal Bureau of Investigation (FBI). This publicity generated embarrassment for the Rockefeller Foundation. (8)
According to Tobias, Burris-Meyer became convinced that,
“audio control of human emotions was possible for a large enough portion of an audience to provide effective crowd control – a line of research,” that John Marshall, “ultimately found irrelevant for understanding the artistic or cultural values of music…” but obviously fulfilled a military objective.(8)
This best explains why this activity is linked in time, subject matter, Foundation funding, and the Rothschild-Rockefeller increasing war investments in Germany, Great Britain, and the U.S., to establishing the Western World’s standard musical tuning of A=440Hz frequency. The fact that A=440Hz standard tuning is relatively distressing, as adequately evidenced below and elsewhere,(7, 20-22) implicates these parties and their research into aversive musical frequencies for military and commercial uses.
Sequestering the History of A=440Hz Tuning
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